Assessment criterion 1-2, satisfactory
Actor’s Work
Students can empathize and express required professional quality repertoire in a satisfactory level. Their artistic and technique management is satisfactory. Expression and artistic function is not versatile enough. Mastering large entities is adequate.
Dance
Students can perform required professional level choreography moderately. Their artistic and technique expression and body control is satisfactory. Body use in movements is not versatile enough. Technique ja expressive mastering of larger entities is adequate.
Assessment criterion 3-4, good
Actor’s work
Students know and can adapt versatile techniques in their actor’s work. Students can disclose different styles and characteristics. Their expression is moderately diverse and individual, and mastering of larger entities is good.
Dance
Students manage their body performance technically and artistically and disclose different styles and characteristics. Their body control and expression is moderately diverse, and mastering and perceiving of larger entities is good. The presence is good.
Assessment criterion 5, excellent
Actor’s Work
Students indicate wide knowledge and excellent technical skills, artistic and individual conception in the field of stage expression. They adduce different styles and characteristics particular impressive way. Students have adopted a rich and strong expressive abilities in their actor’s work. They can also create well designed artistic entireties. Students can combine physical, speech expression and actor’s work and they are able to reflect variously character’s thoughts and spirit.
Dance
Students indicate an excellent technical skills, artistic and individual conception in their body performance and movement. They adduce different styles and characteristics particular impressive way. Students have adopted rich and strong expressive abilities and they can execute challenging choreographies and entireties. The presence and the performing is strong and spontaneous. Students can provide their own solo-material in movement.
Hanna Hurskainen
Näyttelijäntyö ja tanssi:
Sovitaan opettajan kanssa kurssin alussa. (not translated)
Näyttelijäntyö:
Opintojakson suunnitelma ja menetelmät ovat opettajan harkinnassa riippuen ryhmän tarpeista
- näyttelijäntyön yksilö- ja ryhmäharjoitukset.
Tanssi:
Ryhmä- ja yksilöharjoitukset
- oman työskentelyn analyyttinen reflektointi ja syventäminen
- tanssi-ilmaisun ja improvisaation syventäminen (not translated)
The student has participated in the teaching 80% and achieved the objectives of the course
Finnish
30.08.2022 - 12.05.2023
08.06.2022 - 29.08.2022
5 cr
19MUSTE
6 - 20
Näyttelijäntyö 4 (Size: 0. Open university: 0.)
Tanssi, taso 4 (Size: 0. Open university: 0.)
Mariikka Santaharju, Musiikki Virtuaalihenkilö
Näyttelijäntyö:
Opintojakso totetutetaan syyslukukaudella 2022. Opettajana toimii Aki Haikonen.
Tanssi:
Opettajana toimii Mariikka Santaharju.
HUOM!
Tanssinopetus toteutetaan tasoryhmissä, joita on kolme.
I-taso on perustaso/ alkeet
II-taso on keskitaso
III-taso on edistyneet/ mahdollisesti ammattiopinnot tai vastaavat suorittaneet.
Opiskelija toteuttaa tanssin opintonsa omaa osaamistaan vastaavassa tasoryhmässä, jonka tanssiopettaja hänelle määrittelee. Opiskelija voi vaihtaa tasoryhmää opettajan suostumuksella, mutta välttämättä tasoryhmä ei muutu opintojen aikana. (not translated)
Music
Degree Programme in Culture and Arts, Music
TAMK Main Campus
0-5
AHOT (not translated)
Näyttelijäntyö ja tanssi:
Läsnäolo 80%, poissaoloista sovittava opettajan kanssa. Vaatii sitoutumista ja säännöllistä osallistumista opetukseen, sekä säännöllistä henkilökohtaista harjoittelua. Osallistuminen mestarikursseihin kuuluu opetukseen. (not translated)
Näyttelijäntyö:
Sisältö jaksotetaan syyslukukauden 2022 ajalle. Tiiviskurssit ja mahdolliset mestarikurssit kuuluvat opintoihin. Produktioviikoilla, jotka ilmoitetaan lukukauden alussa, ei ole opetusta.
Tanssi:
Opetus jatkuu tasaisesti läpi lukuvuoden. Produktioviikoilla, jotka ilmoitetaan lukukauden alussa, ei ole opetusta. Opuskelija vahvistaa kevätkauden osallistumisensa suoraan opettajalle. (not translated)
The student does not pass the course. There are significant gaps in expertise.
Actor’s Work
Students can empathize and express required professional quality repertoire in a satisfactory level. Their artistic and technique management is satisfactory. Expression and artistic function is not versatile enough. Mastering large entities is adequate.
Dance
Students can perform required professional level choreography moderately. Their artistic and technique expression and body control is satisfactory. Body use in movements is not versatile enough. Technique ja expressive mastering of larger entities is adequate.
Actor’s work
Students know and can adapt versatile techniques in their actor’s work. Students can disclose different styles and characteristics. Their expression is moderately diverse and individual, and mastering of larger entities is good.
Dance
Students manage their body performance technically and artistically and disclose different styles and characteristics. Their body control and expression is moderately diverse, and mastering and perceiving of larger entities is good. The presence is good.
Actor’s Work
Students indicate wide knowledge and excellent technical skills, artistic and individual conception in the field of stage expression. They adduce different styles and characteristics particular impressive way. Students have adopted a rich and strong expressive abilities in their actor’s work. They can also create well designed artistic entireties. Students can combine physical, speech expression and actor’s work and they are able to reflect variously character’s thoughts and spirit.
Dance
Students indicate an excellent technical skills, artistic and individual conception in their body performance and movement. They adduce different styles and characteristics particular impressive way. Students have adopted rich and strong expressive abilities and they can execute challenging choreographies and entireties. The presence and the performing is strong and spontaneous. Students can provide their own material in movement.